Pamela Colman Smith’s beloved tarot artwork, created in 1909 under the direction of Arthur E. Waite, is now presented in a borderless format for a more immersive reading experience. This 84-card deck includes four extra cards with reproduction samples of Pixie’s non-tarot artwork, including two watercolor paintings “Catch Me” and “Duet”; the Lovers illustration from the play Deirdre; and an illustration from the sheet music for “Christmas Carol.” The deck comes with an instruction booklet.
Specs:
Pamela Colman Smith
Born February 16, 1878, in Middlesex, England to American parents, Smith's childhood years were spent between London, New York, and Kingston, Jamaica. During her teens, she traveled throughout England with the theatre company of Ellen Terry and Henry Irving. Thereafter, she began formal art training at Pratt Institute of Brooklyn, graduating in 1897.
Smith returned to England, where she became a theatrical designer for miniature theatre, and an illustrator -- mainly of books, pamphlets, and posters. Around 1903, she joined the Order of the Golden Dawn. In 1909, under the guidance of Arthur Edward Waite, she undertook a series of seventy-eight allegorical paintings described by Waite as a rectified tarot pack. The designs, published in the same year by William Rider and Son, exemplify the mysticism, ritual, imagination, fantasy, and deep emotions of the artist.
Arthur Edward Waite
Born in America in 1857, Waite was raised and educated as a Catholic in England. Beginning at the age of 21, Waite pursued research and writing on psychical and esoteric matters. Soon after joining the Hermetic Order of the Golden Dawn, he became the Grand Master, and redirected the focus of the order from magic to mysticism. The Golden Order, whose structural hierarchy was based on the Kabbalah, is considered the single greatest 20th-century influence on the occult. Waite was a prolific author of occult texts, works on the Holy Grail, and the body of mystical knowledge, which comprises the basis of the modern Tarot.
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